The Sound Of Music Critical Essay

The Sound Of Music Critical Essay-19
Despite Von Trapp’s insistence on a rigorous behavioral regimen and subordination, Maria is determined to teach the children to be children, through the joys of singing, dancing, playing, and merriment – all the ingredients of blithe adolescence they so sorely lack.When the captain returns from Vienna with romantic interest Baroness Schroeder (Eleanor Parker), he’s furious at his children’s rambunctiousness – until they sing for the noblewoman, bringing a cheer to the house that had been absent since the death of his wife.Therefore, the story is essentially true, but the film took fictional license with much of the truth of the story.

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When Liesl and Rolfe express their love, it’s through a kiss and a dance in the rain – another naturally flowing spectacle.

When Maria shimmies, it’s either with the children or all alone to visualize daydreaming or introspection.

Specifically it will discuss the music and theme of the film.

The Sound of Music is one of the most classic Hollywood musicals, and is still a family favorite today, even though it was first released in 1965 to movie theaters.

There’s something magical and undisruptive about conversations that morph into songs, especially considering the typical dancing that accompanies such skits is refreshingly truant.

Specific sequences containing characters that would never spontaneously cavort still manage choreography, but not in a distractingly flamboyant manner.

She stayed a year, and the children loved her so much, they begged her not to return to the Abby.

She and the Captain were married in 1927 ("The sound of music," 2008).

The Captain and Maria added two children of their own to the group.

The group did win the Salzberg Festival in 1935, and did not leave Austria until 1938.


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