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With her wild dream he mingled, as a rose Marrieth its odour to a violet. XXXVI: For on the midnight came a tempest fell; More sooth, for that his quick rejoinder flows Into her burning ear; and still the spell Unbroken guards her in serene repose.The idea that the poet appears in the poem alone surprises us- the fact it has possible disturbing consequences surprises us even further.
The poem is primarily noteable for its elaborate pictorial and musical effects. XXI Which of the senses is Keats stimulating in this stanza? For example, Stanza XXIV is rich with images of texture and colour; ‘of fruits and flowers’ and ‘thousand heraldries’, again providing the idea of excess.
Its wealth of description meant that, like 'Isabella', the poem became a favorite with the Pre-Raphaelite artists of the 19th century. IX Describe the effect of the way Keats has written the last line. X Comment on the effect of Keats' punctuation here. XI - XII Structurally, what are the benefits of these two stanzas? XIII - XIV Again thinking in terms of the form of the poem, why has Keats included such vigorous dialogue here? XV - XVI How does the semantic field of XV contrast with that of XVI, and to what effect? XVI - XIX Keats provides us here with a portrait of Porphyro. The stanza ends with the line: ‘A shielded scutcheon blushed with blood of queens and kings’.
The phrase itself is an oxymoron because ‘fine’ can mean a limited but refined portrayal and ‘excess’ can mean too much of one thing.
Put together, we may understand this expression as a refined description of the excessive quality within the poem.
Nevertheless, as a self-contained unit, it encourages the creation of tableaux (visual poem). Madeline thinks he's a traitor but he wants her to be his bride and to run away with him. Exterior vs Interior There is also another contrast of age vs youth: "old", "death", "weak spirit fails", "aged man" vs "sweet virgin" and "young" Beadsman is isolated in a cold chapel- perhaps Keats is hinting at the inneffectivness of religion. Start to get hints of a dream vs reality concept in the poem. Revelers: "hurry", "glowing", "burst", "wish" = action, livliness. VI Explain in your own words, the nature of St Agnes Eve, and analyse the language used here. Stanza XXV in turn contrasts this with color and warmth; ‘warm gules’, ‘rose-bloom’ and ‘silver cross soft amethyst,’ which suggests the sensuality of what’s happening.
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The story of the Eve of St Agnes goes as follows: Beadsman in church watches preparation for festivities. Is he innocent or does he know he can take advantage of her. (And tells him the legend) Asks Angela to help him find Madeline. He apologises and gives a woeful speech and Angela sympathises. Religious imagery: "insense", "heaven", "sweet vigin's picture". "The joys of his life were said and sung" - prefiguring death? Answer these questions to help you with the poem annotation: 1. When Porphyro gazes on her dreaming, the silver and cold and the colourful, warm images are again combined, with ‘dim, silver twilight’ and ‘wove crimson, gold, and jet’.In the poem, there is the sense that women can’t be trusted because of the maid, Angela, being so naïve, and letting Porphyro go to Madeline’s room.The reader may see Angela as a ‘pimp’ due to this action, also an idea of an untrustworthy person. Try to explain the sense and effect of the final stanza. Keats definately meant for Porphyro to make love to Madeline, which is made clear in stanza XXXVI: In September1819, Keats suggested alterations to the poem, including a rewrite of stanza XXXVI and the two proceeding lines: See, while she speaks his arms encroaching slow, Have zoned her, heart to heart, - loud, loud the dark winds blow!In stanza XXX1, there is the idea of extravagance again; ‘these delicates he heaped with glowing hand’.(On Deaths Door) Action switches to Madeline, who is oblivious to the festivities. Switches again to Porphyro- waiting to see Madeline. Angela tells him whats supposed to happen to Madeline and laughs. Church is described with horrible images: "sculptured dead", "emprisoned in black". Music and sounds of celebration "music's golden tongue", "snarling trumpets". Stanzas I - III Describe the beadman and his world. This is another example of how Keats uses rich imagery to portray an idea of ‘fine excess’.This hints that religion and faith cannot stop what is about to happen to Madeline. Identify specific words and phrases that create this atmosphere and tone. In stanza XXX there is a hint of luxuriousness and sensuality in the description of Madeline’s bed linens- this and the excessiveness and eroticism of the feast prepare us for their sexual fulfillment.Another connotation of surprise is in stanza XXII where Keats appears to be talking to Porphyro in the poem; ‘Now prepare, Young Porphyro, for gazing on that bed’.This is very sinister- it’s as though Keats is encouraging him to do this.However, the word ‘heaped’ gives the impression that Porphyro is careless- but we could also say that he puts extra in the room to make sure his plan works.The phrase ‘fine excess’ could mean detailed descriptions throughout the poem, or it could mean the extravagance of the luxurious feast in Madeline’s room.