Modern Theater Essay

Modern Theater Essay-42
(from Wikipedia)Forum theatre is a type of theatre created by the influential practitioner Augusto Boal as part of what he calls his "Theatre of the Oppressed." While practicing earlier in his career, Boal would apply .In this process the actors or audience members could stop a performance, often a short scene in which a character was being oppressed in some way.Naturalistic works exposed the dark harshness of life, including poverty, racism, sex, prejudice, disease, prostitution, and filth.

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Naturalistic writers were influenced by the theory of evolution of Charles Darwin.

They believed that one’s heredity and social environment determine one’s character.

Where it's featured solely on the words of others, usually members of the public in a particular situation, it's known as VERBATIM THEATRE.

Traditional audience seating layout where the audience is looking at the stage from the same direction.

There are multiple meanings, and meaning is what you create, not what is.

This approach often uses other media and breaks accepted conventions and practices.Naturalistic performance is often unsuitable for the performance of other types of theatre—particularly older forms, but also many twentieth-century non-Naturalistic plays.Shakespearean verse, for example, demands a rigorous attention to its rhythmic sub-structure and often long and complex phrasings; naturalistic actors tend to cut these down to the far shorter speech patterns of modern drama, destroying the rhythmic support that assists the audience’s process of comprehension.Examples run daily in Las Vegas or Orlando, Florida, and include murder-mystery themes, medieval themes, or magic shows with dinner served.Documentary theatre, or theatre of fact, is theatre that wholly or in part uses pre-existing documentary material (such as newspapers, government reports, interviews, etc.) as source material for the script, ideally without altering its wording.Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries.It refers to theatre that attempts to create a perfect illusion of reality through a range of dramatic and theatrical strategies: detailed, three-dimensional settings; everyday speech forms (prose over poetry); a secular world-view (no ghosts, spirits or gods intervening in the human action); an exclusive focus on subjects that are contemporary and indigenous (no exotic, otherworldly or fantastic locales, nor historical or mythic time-periods); an extension of the social range of characters portrayed (away from the aristocrats of classical drama, towards bourgeois and eventually working-class protagonists); and a style of acting that attempts to recreate the impression of reality (often by seeking complete identification with the role, understood in terms of its ‘given circumstances’, which, again, transcribe Darwinian motifs into performance, as advocated by Stanislavski).Naturalism was criticized in the twentieth century by a whole host of theatre practitioners; Constantin Stanislavski, for example, argued for a puncturing of the illusion of the surface of reality in order to reach the real forces that determine it beneath its appearance; in place of the absorption within a fiction that Naturalistic performance promotes in its audience, he attempted to inculcate a more detached consideration of the realities and the issues behind them that the play confronts.His approach is a development, however, of the critical project initiated by Naturalism; it is a form of modernist realism.Naturalistic works are opposed to romanticism, in which subjects may receive highly symbolic, idealistic, or even supernatural treatment.They often include uncouth or sordid subject matter; for example, Émile Zola’s works had a frankness about sexuality along with a pervasive pessimism.

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