Harold Bloom Essay Blood Meridian

Harold Bloom Essay Blood Meridian-22
Of all the books you’ve written, arguably made the boldest imprint on the common reader.I suppose it is true that, facing the decline of a literate audience and desperately trying to battle for canonical standards, my books that have had the widest direct impact were the ones that I addressed to “the common reader” – which was [Samuel] Johnson’s great designation of what a reader should be.But at 81, one doesn’t know how much time there is, and there are other things I’m writing and want to write.

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By his choice, he made it the vehicle for poets who come after him, Boccaccio and Petrarch down through Leopardi and Ungaretti.

Without Dante, the language that we all call Italian would not have happened.

The later work overturns an earlier work in order to get free of it.

The new poem, new story, new drama or new novel is a creative misreading of the work that engendered it. This is, I think, the finest work of literary scholarship in my time, by the great German philologist Ernst Robert Curtius.

The author of more than 40 books, Harold Bloom is Sterling Professor of Humanities at Yale, where he has been teaching since earning his doctorate in 1955.

Harold Bloom Essay Blood Meridian

The theory of literary evolution he developed in his 1973 book How has the profession changed since you began teaching literature?

Though it’s not the unconscious in the Freudian sense, the is the creative spirit.

It is, as [Ralph Waldo] Emerson called it, “the God within”. And for many, many years I was writing a vast commentary on Freud called .

The middle ages depended heavily on Latin – the vernaculars developed out of it.

The greatest instance is Dante, who wrote some of his prose works in Latin but who chose the Tuscan vernacular for much of his work.


Comments Harold Bloom Essay Blood Meridian

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