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This could have been one reason that Gilman developed such an ambivalent opinion towards marriage and a factor that could have influenced her to not marry during her early adulthood.
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Hence, the readers are able to peek into her own world of hysteria through the entries of her journal that she keeps away from her husband’s prying view.
Indeed, the suave method in which she executes her prominent use of syntax and sentence spacing clearly proves that there were several interruptions.Many years later, Gilman was remarried to her cousin and they remained happily married until his sudden death.Tragically, in 1935, Gilman discovered that she had an incurable case of breast cancer and committed suicide after serving years as an advocate for the right-to-die.Many of Gilman’s writings are read today as significant examples of feminist literature.“The Yellow Wallpaper” in particular has generated much attention as modern readers appreciate both its literary value and profound social commentary.When “The Yellow Wallpaper”, was published in the 1892 edition of The New England Magazine, people only praised the story’s exquisite imagery and chilling mood.However, this story was categorized as a chilling reminder that revealed powerful force of social norms after it was released once more in The Feminist Press at 1973 as a separate volume.Social expectations in the nineteenth century encouraged a kind of pessimistic selflessness that could have resulted in a woman thinking of herself as nothing, as or worth less than nothing.Women of that time were controlled by “superiors” like their husbands or fathers and forced to lose their identity under repressing social system– patriarchy.Officially born into the prominent and well-known Beecher family in 1860 as Charlotte Anna Perkins, Gilman was eager and passionate for self-improvement from when she was a child.The overly critical circumstances in Gilman’s life, however, forged impenetrable obstacles on the path to her utmost desires.