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Throughout Steinbeck's novel, there is so much foreshadowing that some critics feel he has over used the technique.
The same technique is used when George warns Lennie very early to go back to the bushes by the pool if anything bad happens.
This advice is repeated several times in other scenes, including Lennie's thoughts in the barn and later at the pool while waiting for George.
There are six scenes in groups of two, producing three "acts." The first and last scene take place near the bank of the river so that the plot comes full circle.
In the middle are two scenes in the bunkhouse, and two scenes in the barn, the latter including Crooks' room which is in the barn.
In the second scene, for example, the bunkhouse and inhabitants are introduced, suspicion falls on the two men's relationship, Curley and his wife inject an ominous tone (which Lennie repeats with his instinctive reaction to them), Slim soothes the scene, and then they go to dinner.
Again, each scene is balanced with this theatrical structure.Then he focuses in on a path and then — still more — on two men walking down that path.At the end of the first scene the author does just the opposite.The focus is on the conversation at the card table with the darkness all around.From that darkness, come the voices of Lennie and Candy, but the main focus of the scene is in the middle of the room at the card table where the light is used to draw the reader's attention to the main arena of action.Eventually, other characters make entrances: Candy and Curley's wife.Then Curley's wife exits, George enters, and the three men exit, leaving Crooks alone once again.For example, when Chapter 4 opens, Crooks is sitting in his room applying liniment to his back.Next, Lennie appears in the open doorway, waiting to be asked in.Nevertheless, Steinbeck's novel easily translated to the stage, almost intact, because of his thoughtful craftsmanship.The locales are perfectly balanced in a circular pattern.