Essay Expressionism German

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Metropolis Along with Stanley Kubrick's 2001, a space odyssey (1968) and Ridley Scott's Blade Runner (1982), Fritz Lang's Metropolis is considered the height of the then called sci-fi cinema.

The influence in both posterior films is evident: Blade Runner 's opening sequences of the dark, futurist, neo-industrial L. seems to pay tribute to Metropolis astonishing cityscapes (see picture left), while in Kubrick's masterpiece the tribute is even in the title: Metropolis story line occurs in year 2000, and Kubrick place his film one year after as a tribute.

They created an original, fantastic makeup that fills the film with a delirium-like imagery, and emphasizes the protagonist's own psycho-destruction.

Caligari's brutal domination over the half-somnambulist/ half-zombie Cesare is easily interpretable as a metaphor of the fascist and authoritarian governments that arose in Europe in the first half of the XX century, as Siegfried Kracauer explains in his famous book From Caligari to Hitler "And when he crossed the bridge, the phantoms came to meet him." Don't ask me how, but some years ago the Wolf was lucky enough to obtain a copy of Friedrich Murnau's earliest surviving film, Schloß Vogeloed (The Haunted Castle, 1921).

The aesthetic movement of Expressionism gained prominence during the early twentieth century, and had a profound impact on the arts - especially theater, painting, sculpture, and film.

Expressionism was particularly popular between 19, and the movement ushered in a rebellion against the established Impressionist style that had previously dominated the fine arts.Whereas Impressionism concentrated on the artist's interpretation of a given subject, Expressionism was rooted in the artist's own state of mind or vision.Expressionists infused their subjects with a rich emotional quality through a concentration of systematized symbols.Developed during a period of history that saw Germany undergo severe social, political, and economic dislocation following the country's defeat in World War I, German Expressionism conveyed a feeling of chaos through the usage of darkly violent images that reflected the state of mind of both the artist and society in general.Art became an , and the human gestures being portrayed became a reflection of the artist's personality and sensibility.I was not really thrilled by it, but the beauty of the makeup, the strange and disturbing ending and the stunning use of the chiaroscuro were enough to make me to introduce in Murnau's light/dark universe, which will reach its zenith in the movie I'll review now.One year after filming Schloß Vogeloed, Murnau was ready to film his undisclosed masterwork: Nosferatu, eine symphonie des grauens is based on Bram Stoker's novel Dracula , but a lawsuit with the writer's widow forced Murnau to change some aspects of the movie, such as the title or the name of the protagonist (Count Orlok) Nevertheless, it was not enough, and, due to the lawsuit, almost all copies of the film were destroyed.Burns), the charm and painterly of its landscapes, and the lyrical beauty of the texts place the film at the pinnacle of the horror genre.Nosferatu is the most cryptical and necrophilic, but also oneiric and romantic film based on the Transylvanian vampire, a true masterwork that neither Tod Browning, Terence Fisher or Francis Ford Coppola have never surpassed.By 1916, following WWI, Germany had banned any films from other countries, so there was a huge increase in domestic film production.Many films were released which typified the political disillusionment and alienation felt by the country at this time.


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